In the opening of ‘Narc’, sound,
mise-en-scene, camera and editing are used.
Sound is used to create tension
and to get the audience thinking of what is going to happen next in the film,
as the non-diegetic incidental music is used to create tension. The amount of
dialogue used in the opening of ‘Narc’ gives the audience some indication of
where the film will go. Also, there are many diegetic sounds used in the
opening of ‘Narc’, such as the women and the baby screaming, the footsteps of
Nick Tellis running after the criminal and the signs rattling, as Nick Tellis
was running after the criminal (all in the flashback). Furthermore, in the
opening of ‘Narc’, there is also a sound effect used, as Nick Tellis uses the
gun to shot the criminal.
Mise-en-scene is used to create a
sense of realism and to show the characters in the opening of ‘Narc’ are
associated with realistic settings. In the opening of ‘Narc’, there are many
different locations used to create a sense of realism, such as the interior of
a domestic setting (flat and house), the interior of a working environment
(working office), and a park, which are all real and simple settings in
everyday life. The clothing that the characters are wearing are all associated
with individuals in everyday life, as clothing such as suits (smart clothing),
hats and casual clothing are worn by the characters in ‘Narc’. The props that
the characters are using in the film are also all associated with individuals
in everyday life, as props such as chairs and sofas are used in ‘Narc’, and the
gun used in ‘Narc’ is also a prop used in the film.
The different camera shots used
in the opening of ‘Narc’ show the facial expressions of the characters and what
the characters are doing, as close-up shots are used to show Nick Tellis’
facial expressions, long shots are used to show Nick Tellis running after the
criminal, and also medium shots are used to show the other characters in the
shot, for example in the office when the officers are questioning Nick Tellis.
Editing is used in the opening of
‘Narc’ to help the film flow, in which jump cuts (from one scene to another,
for example when Nick Tellis is thinking, and then the flashback occurs) and
shot-reverse-shots (from one character to another) are used.
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